All five bands have adjustable bandwidth and span the full frequency range (20Hz to 20kHz), so there’s loads of flexibility to further sculpt your tone.
The plugin’s EQ is a five-band model, with the high and low bands switching between filter and shelving duties. There’s no mic position adjustment, which is disappointing, but the eight available cabinet sounds are very different, and external impulse responses can be imported, which is a nice touch. You get two 4x12 cabinet options: a scooped modern-sounding Orange Custom and a warmer Mesa, with a choice of four mics (Condenser, 421, 57 and 57 off-axis). Adjustable parameters are kept simple (Blend and Amount) for ease of use. Overall, our favourite Effects pedal is the Reverb, with three suitably grungy reverbs joined by a rather excellent Reverse setting, which adds a breathing ethereal effect to chunky riffing when used in moderation. The Wah is well equipped with Drive, Distortion and Tone accompanying the traditional band-pass filter, adjusted using the Wah knob. The Delay is reasonably straightforward (Delay Time, Repeat and Delay Level). In the Effects module, clicking a pedal opens the editable zoom window. Its Tone settings can help brighten the fundamentally warm Amp sound. The Overdrive works well combined with cleaner Amp settings, or can push existing overdriven tones over the edge. In the Pedal page you get four options: one screamer-style Overdrive before the Amp, and three effects pedals (Delay, Wah and Reverb) after the Cab.
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